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The first play I did in New York was ‘Angels in America’. I’d never done a play here before. It was very important to me that it was an ensemble piece off broadway – that it wasn’t about me coming in from Hollywood and throwing my name up above a marquee to see if it sells tickets. It wasn’t about that. It’s about cultivating an experience that’s worth seeing, that an audience wants to see because there’s some grain of integrity in it, not because it’s trying to be something.”

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